Alexander Harding curates a group exhibition featuring Josephine Baker, Tobias Hauswirth, Antonio Parker-Rees and Jack Roberts.

The title borrows from the mathematical concept of fuzzy logic, a system that operates through degrees of truth rather than the conventional binaries of true or false. Originating in mid-20th-century mathematics, fuzzy logic has since been absorbed into fields such as machine control, image processing and artificial intelligence, technologies that depend on interpreting signals which are never wholly clear or fixed.

This exhibition turns that idea back toward the visual arts. It asks what happens when “fuzziness,” ambiguity, or blurred meaning is reimagined as a creative and sensory mode rather than a problem to be solved.

Initially conceived as an exploration of the parallels between poetry and the visual arts, Fuzzy Logic has evolved into a broader inquiry into how ambiguity can be felt, structured, and expressed within both linguistic and visual systems. Like poetry, art has its own grammar, syntax, and rhythm. Forms of sense-making that rely on association, intuition, and resonance as much as on logic.

The artists in the exhibition each engage with slippage and translation. Things point to things, but the index is scrambled; syntax shifts; meaning splinters. The works explore how art metabolises these moments of dissonance into its own kind of language, how grammar, emphasis, and reference operate across text and image alike.

Curated by Alexander Harding

Private view: Thursday 5th March 2026

Image:

Untitled Jack Roberts
Giclée print on paper, artist’s frame
81.9 x 58.3 cm
2025